The Life of the "Master of Monsters"

After this past summer’s release of a new version of Godzilla, directed by Gareth Edwards, many fans have been re-visiting the movies from the original Toho series on DVD, Blu-ray & online. One of the men responsible for the success of those films was Eiji Tsuburaya, who was the special effects wizard behind such films as Godzilla (1954), Rodan (1956) and Mothra (1961), among many others. Author and film historian August Ragone has released a fascinating book about this talented man, entitled Eiji Tsuburaya: Master of Monsters: Defending the Earth with Ultraman, Godzilla, and Friends in the Golden Age of Japanese Science Fiction Film. The book covers Tsuburaya’s life before, during and after his involvement with the many Toho projects he worked on, along with director Ishiro Honda, producer Tomoyuki Tanaka and composer Akira Ifukube. Those four men are widely considered to be the “fathers of Godzilla” and the chief architects of Toho’s well-remembered monster, fantasy and sci-fi films released during the 1950s, 60s & 70s. There's background information about production of the classic Godzilla movies, as well as other science-fiction and fantasy films, including The Mysterians (1957), The H-Man (1958) and War of the Gargantuas (1966).

Ragone also offers information about Tsuburaya’s younger days, and his life during World War II. He also focuses on the clever technical ideas that Tsuburaya came up with during his many years working in Japanese cinema. While many non-fans have scoffed at the “monster in a suit” techniques used in these films, the book shows why Tsuburaya and his crew chose to use that technique, and details their innovative work with miniatures & models. There’s also an in-depth look at Tsuburaya’s working relationships, and his feelings and philosophy regarding his work. He never lost that “sense of wonder” that all great filmmakers possess. Tsuburaya eventually opened his own effects company, and helped create many more successful films & TV series, such as Ultraman. It’s nice to see an artist like Tsuburaya get his due in an English-language book. These genre films are still fondly remembered by a large number of fans, and their influence is still being felt in movies like Guillermo Del Toro’s Pacific Rim (2013) and this year's re-imagining of Godzilla, both of which already have sequels in the works. 

The book is filled with behind the scenes material, production photographs and concept drawings from Tsuburaya’s long career. It’s a visual marvel, and so beautifully designed that it’s a treat just to flip through the pages and enjoy the many rare stills, film poster reproductions and amazing photos. As an added bonus, there are some wonderful essays between chapters from other noted Japanese film scholars, including Ed Godziszewski and Guy Tucker, and a fond remembrance from Eiji’s son, Akira. Ragone has written extensively about Japanese fantasy films, and his expertise has served him well in creating this wonderful book: I'm sure you'll learn some interesting facts about Tsuburaya that you may not have known before. The book is a compelling, enjoyable read, especially for monster movie fans. Eiji Tsuburaya: Master of Monsters: Defending the Earth with Ultraman, Godzilla, and Friends in the Golden Age of Japanese Science Fiction Film is now available at online retailers like Amazon & Barnes & Noble, among others.

Nicole Holofcener's Enough Said: An Exceptional Romantic Drama

Romantic comedies have been around since the early days of movies, and when done right, they’re very enjoyable. There are many fine examples of that genre, from City Lights (1931) to Sleepless in Seattle (1993). But it’s much tougher to do justice to a realistic relationship story between two adults and still have it be entertaining. Writer-director Nicole Holofcener pulls it off in Enough Said, starring Julia Louis-Dreyfus and the late James Gandolfini. Eva (Louis-Dreyfus) is a divorcee who lives with her teenage daughter. She attends a friend’s party and meets Albert (Gandolfini) who is also divorced. Despite some misgivings on her part, they go on a date, and find they enjoy each other’s company. At the same time, Eva, who’s a masseuse, gains a new client (who she also met at the party) a poet named Marianne, played by Catherine Keener. Marianne is bitter about her own divorce, and as the two women become friends, she tells Eva about her awful ex-husband, who she cant stand. Marianne is irritated and angry about the end of that relationship, and it shows.

As the story goes on,  Eva realizes Albert is Marianne’s ex. She starts to doubt her own interest in him, and sees the things Marianne doesn’t like about him, rather than the things she appreciates about him. Should she dump Albert, who she’s growing to love, because she & Marianne are becoming friends, and she doesn’t want to make a mistake? And should she tell Albert that she knows Marianne? Meanwhile, Eva is also going through a tough time with her daughter, who’s going off to college. Eva is becoming closer to one of her daughter’s friends, and her daughter is angry about that relationship. And Albert & Marianne’s daughter, who is also heading to college, has some issues of her own.

While all of this may sound like you’ve seen it before, Holofcener’s incisive script makes it work. The dialogue is strong & there are some sharp observations about life, love & relationships. Louis-Dreyfus is perfect in her role, a strong yet insecure woman who can’t seem to do the right thing, but has her heart in the right place. You alternately root for her and want to give her a good talking to during the course of the story. Gandolfini is excellent in one of his final roles; Albert is a regular guy who comes out of a bad marriage, and just wants to find a partner he can enjoy being with, who loves him for himself. He has several standout scenes, including when he finds out Eva has been friends with Marianne behind his back. The hurt he shows on his face, with little dialogue, conveys all the betrayal he feels at that moment. There's also strong supporting work from Keener & Toni Collette, as a friend of Eva's.

There are no easy answers or Hollywood endings here, though the film does offer some hope before the fadeout. This is a story of real people with real issues, and there are both laughs & tears to be found in this entertaining film. Holofcener has also directed films such as Walking & Talking (1996) & Friends With Money (2006) and her movies often polarize critics & viewers (including myself), but she’s done some fine work here. I guess you can call this one a romantic dramedy. Enough Said is one of the best films of 2013, and it deservedly received a lot of critical acclaim. The movie is now available on DVD, Blu-ray and some streaming services. Here’s a link to the film’s trailer: http://www.youtube.com/watch?v=nEEJaIjF_Lo.

Next: The Master of Toho's Monsters

Here Comes The Reign Again: The Second British Invasion - Andrew Curry & Friends Rule On This Fabulous Album!

One of the best records I heard last year was executive producer Andrew Curry’s Drink A Toast To Innocence: A Tribute to Lite Rock. A group of indie rock & pop artists like Mike Viola & Lisa Mychols covered mid 70s-early 80s AM radio staples like “Steal Away” & “Don’t Give Up On Us.” It’s a really fun disc – and I still listen to it frequently. Well now Mr. Curry & some friends have returned with an equally enjoyable follow-up, Here Comes The Reign Again: The Second British Invasion. This time out, another group of indie artists tackle songs from the British bands who exploded onto our TV screens during the years when MTV ruled the airwaves. Come on, you remember the Modern Rock/New Wave era, don’t you? Songs like The Human League’s “Don’t You Want Me?” and Frankie Goes To Hollywood’s “Relax,” whose videos played in heavy rotation when MTV still played music? Well, those songs are on this excellent tribute album, along with a batch of other tunes from the glory days of music video.

The styles range from faithful covers like David Mead’s rendering of Duran Duran’s “Save A Prayer” and Linus of Hollywood’s version of Paul Young’s “Everytime You Go Away” to splendid re-imaginings such as Taylor Locke’s rockabilly rave on “Dancing With Myself” which adds Beach Boys style harmonies to the Billy Idol hit, and Graham Alexander’s clever gender switch reading of Tracey Ullman’s “They Don’t Know,” a song written by the late Kirsty MacColl. Other highlights include Eytan Mirsky & Alyson Greenfields' country-esque cover of the Howard Jones track “No One Is to Blame,” People On Vacation rocking out on Bananarama’s “Cruel Summer,” and Cliff Hillis’ gorgeous interpretation of Nik Kershaw’s “Wouldn’t It Be Good.” (Love those horns, mate!) There’s also Chris Collingwood of Fountains of Wayne doing Dream Academy's “Life In A Northern Town,” as well as Minky Starshine with Spandau Ballet’s “True.” And did you know that Soft Cell's hit "Tainted Love" was itself a cover of a 1960s tune by soul singer Gloria Jones? On this album, Eric Barao gets that 80s vibe just right on his version of the song.

Another positive aspect of this marvelous album is the song selection: There are well known hits like rocker Bleu powering up on Simple Minds’ “Don’t You (Forget About Me)” alongside somewhat lesser known (in the US) numbers like the Yaz song “Only You,” beautifully covered by The Wellingtons, and Ken Stringfellow of The Posies with a masterful rendition of The Blow Monkeys tune “Digging Your Scene.” Kudos to Curry for gathering together another eclectic group of artists, including Freedy Johnston, who offers a jazzy re-do of the Naked Eyes song “Promise, Promises,” Rachel Yamagata, who does an intense, emotional take on Culture Club’s “Do You Really Want To Hurt Me” and Tracy Bonham who gives a unique slant to the Eurythmics hit “Sweet Dreams (Are Made of This).” There are also some returning artists from the Drink A Toast To Innocence project, including Kelly Jones, who does a delicate, lovely remake of Level 42’s “Something About You” and the aforementioned Cliff Hillis, Mike Viola, Bleu and Linus of Hollywood. I haven't touched on every track on the album, but they are all amazing.

Whether it’s a dead-on accurate cover or awe-inspiring re-imagining, all the songs here are fantastic, and will take you back to those pre-internet days when we were glued to our TV sets watching all the videos on MTV. Like its predecessor, this disc is going to ignite memories, make you smile, and get you singing along & probably even dancing around the room. Andrew Curry & his team are to be commended for hitting another one out of the park. Here Comes The Reign Again: The Second British Invasion is an awesome record, and one of the best albums of 2014. This isn’t some low rent, hastily thrown together collection or shoddy project. Curry & these artists really care about this music, and it shows; they’re fans, just like we are, and they give these songs the respect they deserve. Here Comes The Reign Again: The Second British Invasion will be available soon; it was originally a Kickstarter funded project, so backers have already begun to receive their music, and an official release should be coming in the near future.

Here’s a link to an old school style ad/trailer for this smashing collection: http://www.youtube.com/watch?v=-xJITekbEs0. There’s also a Facebook page you can check out for more info on the album: https://www.facebook.com/HereComesTheReignAgain. The song list is below, not including a couple of bonus tracks that were Kickstarter only exclusives. I also recommend listening to these talented artists’ own music – they’re all well worth checking out. And if you're interested in my review of Andrew Curry's previous project, Drink a Toast To Innocence: A Tribute To Lite Rock, that article can be found here: http://jveclectic.blogspot.com/2013/07/all-hits-all-songs.html.

Here Comes The Reign Again: The Second British Invasion

Track Listing

Disc One

1. Life In A Northern Town - Chris Collingwood

2. Goody Two Shoes - Jim Boggia & Pete Donnelly

3. Everybody Wants To Rule The World - Mike Viola

4. Kids In America - Big-Box Store

5. West End Girls - Secret Friend

6. True - Minky Starshine

7. Cruel Summer - People On Vacation

8. Everytime You Go Away - Linus Of Hollywood

9. Something About You - Kelly Jones

10. Only You - The Wellingtons

11. Tenderness - TeamMate

12. Don't You Want Me - Chris Price

13. Sweet Dreams (Are Made Of This) - Tracy Bonham

Disc Two

1. Wouldn't It Be Good - Cliff Hillis

2. Tainted Love - Eric Barao

3. Promises, Promises - Freedy Johnston

4. Do You Really Want To Hurt Me - Rachael Yamagata

5. Save A Prayer - David Mead

6. Relax - Mike Doughty

7. Dancing With Myself - Taylor Locke

8. Digging Your Scene - Ken Stringfellow

9. Freedom - The Davenports

10. They Don't Know - Graham Alexander

11. No One Is To Blame - Eytan Mirsky & Alyson Greenfield

12. Our House - The Corner Laughers

13. Life's What You Make It - The Nines

14. Don't You (Forget About Me) - Bleu

The Guardians of the Galaxy: Marvel's Space Heroes Energize The Screen

Who are the Guardians of the Galaxy, the heroes of Marvel’s latest move hit? They’re a rag-tag group of heroes who go on an outer space adventure to retrieve a mysterious object, the origin of which will be familiar to Marvel comics fans. The team has existed on the printed page in various versions since 1969, but they’ve always been on the second (some would say third) tier of Marvel characters, despite some surges in popularity in the 80s & 90s. However, Marvel Studios was very clever about making this the latest entry in their cinematic universe. The film is a thrilling, fun-filled romp, combining the fast paced action & humor of films like the original Star Wars & Raiders of the Lost Ark, with a nod to 80s B-movies like The Last Starfighter.

Peter Quill (Chris Pratt) is an earth man who is kidnapped as a boy by alien scavengers called the Ravagers. Now an adult & a member of the group, he fancies himself a Han Solo-esque outlaw named Starlord. Quill’s planning to double cross the Ravagers and sell a powerful orb he’s stolen to a third party. Along the way, he runs into an assassin named Gamora, the adopted daughter of super-villain Thanos, a living tree named Groot, and a genetically altered, gun-toting raccoon named Rocket. While they initially clash, they end up banding together to stop a fanatical alien warrior named Ronan, who plans to use the orb to destroy the planet Xandar. Despite a peace treaty that ended a war between Ronan's people and the Xandarians, he wants to annihilate them. Our heroes gain another ally in Drax The Destroyer, who’s seeking vengeance against Thanos for the death of his family. In fact, Thanos may have plans of his own for the orb.....if Ronan will turn it over to him. And is Quill a hero.....a rogue,.....or both? Will he & his friends save the day?

That may sound like a lot of plot, but it moves quickly, and there are space battles, prison breaks, a bit of romance, a lot of funny lines and a host of 70s rock tunes, courtesy of Quill’s Walkman and his favorite mix tape, which was a gift from his dying Mom. The characters are well developed despite the focus on humor & action, and their backstories will obviously be further explored in future installments, especially the identity of Quill's father....a being his Mom referred to as an "angel" before her death. Long-time fans will pick up on myriad references to other Marvel comic book characters and stories, which are obviously laying the groundwork for other Marvel films, but you don’t need to be familiar with any of that history to enjoy this movie. Sit back, relax & enjoy the ride. It’s a perfect summer popcorn flick, and the most fun you'll have at the moves this summer.

The cast is top notch; Pratt literally becomes a star before our eyes with this breakout performance; he’s got a sense of humor, cockiness, savvy (and dancing & singing skills) to spare, and the supporting cast is wonderful; Zoe Saldana is impressive as Gamora, and the voices of Bradley Cooper as Rocket and Vin Diesel as Groot add surprising depth & gravitas to their computer generated characters. Wrestler Dave Bautista proves himself a powerful ally and a perfect comic foil as Drax, and you’ll see a lot of familiar faces in smaller roles, including Glenn Close, Michael Rooker & John C. Reilly. The film was directed by James Gunn, who also co-wrote the screenplay with Nicole Perlman. Gunn and his team have done a great job with the visual elements of the film; the effects are great, and this movie looks like an old school, big budget space adventure.

I’ve tried not to give too much of the film’s plot or pleasant surprises away. But if you like entertaining action-adventure films, and you have a soft spot for 70s and 80s sci-fi (and 70s pop music) you’re sure to have a good time watching Guardians of the Galaxy. The movie has a great sense of energy, a rollicking sense of humor, and a real dose of heart. It’s one of the best Marvel films yet. As always with Marvel movies, make sure to stay until the end of the credits, for an additional scene or two. And remember: The Guardians of the Galaxy will return. The Guardians of the Galaxy is currently in theaters. Here’s a link to the film’s trailer: http://www.youtube.com/watch?v=B16Bo47KS2g.

Next time: A look at a biography of singer Laura Nyro

The Godfather of Soul & The "Jersey Boys" Head To The Multiplex in Two New Films

Since the successful release of Ray (2004), the biography of Ray Charles, which starred Jamie Foxx, the musical bio-pic has come back into vogue, and two new releases continue the trend. James Brown was one of the most powerful, innovative performers to ever grace a stage. The “Godfather of Soul” helped bring funk into the mainstream, and has inspired countless other artists, including Michael Jackson, Prince & Mick Jagger. Get On Up (2014) tells the story of Brown’s life, and attempts to give us some insight into this legendary musician. The film moves back & forth in time, taking us to some of the high points (and low points) of Brown’s career, from his beginnings with the group The Famous Flames, to his worldwide success as a soul/funk/R&B superstar, scoring hits with songs like “I Feel Good” and “Papa’s Got A Brand New Bag.”

Chadwick Boseman (who played Jackie Robinson in 42), is amazing as Brown. He’s got the wild, yet graceful athleticism of Brown’s stage performances down pat, and it’s not mere mimicry. He inhabits the role – right down to Brown’s speech patterns & the way he walks. It’s an astonishing performance. There’s an excellent supporting cast including Viola Davis as Brown’s mother, and Nelsan Ellis as Bobby Byrd, the soul icon's musical collaborator & closest friend, who gets pushed to the background in Brown’s rise to the top. Some of the female roles in the film are too thin & lightly sketched, but all of the actors are solid in their roles. The musical sequences, including some of Brown’s most famous songs & musical moments, are fantastic. Particularly interesting are the recreations of his triumphant 1962 concert at the Apollo Theatre (which became a classic live album) and his 1964 appearance at the multi-artist concert The T.A.M.I Show, where he blew his fellow acts (including The Rolling Stones) off the stage with an electric performance.

The movie does jump around in time a little bit too much, sometimes moving back to complete a flashback scene we saw the first part of earlier in the film. And while the movie tries to give us a good overview of Brown’s life & career, balancing the story of Brown's successes with a look at his dark side, it skims over some of his issues with drugs & violence. But Boseman’s performance & the great music make this a must see for music fans. The film was directed by Tate Taylor, and written by Jez Butterworth & John-Henry Butterworth. Mick Jagger & Brian Grazer were two of the film’s producers; in fact, Jagger helped shepherd the project's journey to the screen. The movie is currently in theaters. Here’s a link to the film’s trailer: https://www.youtube.com/watch?v=vptGSENcXeI.

The Broadway musical Jersey Boys has been a major success since it opened in 2005. A movie version of the story of Frankie Valli & The Four Seasons has been in the works for a while (Jon Favreau was once slated to helm the project) but it finally came to fruition with Clint Eastwood directing. The film adapts some of the play’s structure, with the characters addressing the audience as the tale of the group’s early years unfolds. We see the beginnings of the band as Frankie forms the group with his friend, guitarist Tommy DeVito, keyboardist/songwriter Bob Gaudio & bass player Nick Massi. While the group goes on to become one of the biggest selling acts of the 60s, personal conflicts & internal strife derail them at the height of their success. The movie features John Lloyd Young as Valli, Vincent Piazza as DeVito,  Erich Bergen as Gaudio and Michael Lomenda as Massi. The screenplay is by Marshall Brickman & Rick Elice, who wrote the original Broadway show.

While the movie is a musical, there’s a bit less focus on the music at times than you’d expect, though there are sequences depicting performances of some of the band's biggest hits. One thing that’s missing is a larger sense of the group’s success amid the other pop/rock groups of the 60s. There’s more of an emphasis on the dark side of the group’s rise to fame. It’s a very internalized story that keeps its sights on the group's dynamics, treating them like a family. The actors do a great job bringing these musical icons to life. Lloyd Young (who originated the role of Valli on Broadway) & Bergen as Gaudio stand out in the talented cast, and Christopher Walken shines in a supporting role as a mobster who helps the group get its start. I haven’t seen the play, though people who have tell me there’s more music, and a bit less less focus on the group’s downfall. But maybe the darker side of the story is what drew Eastwood (who also directed the Charlie Parker bio-pic Bird) to the project.

Like many film biographies, the movie is lighter on the details of the groups’ later years, and quickly sketches their eventual comeback, ending with the band's induction into the Rock & Roll Hall of Fame in 1990. Still, it’s an interesting story, and you’ll probably learn a lot about the The Four Seasons that you didn’t know before, including the group’s friendship with a young guy named Joe Pesci. Of course, there are also all those great songs on the soundtrack, including “Sherry” and “Big Girls Don’t Cry,” among others. In fact, the film’s at its best when showing the guys working on their music with producer Bob Crewe, who contributed a great deal to the group’s success. While you might not think of Eastwood as the first choice to direct a musical, he does a decent job, even though the film still somewhat betrays its stage origins. If you’re a fan of the The Four Seasons & their music, Jersey Boys is worth a look. The film has just about finished its run in theaters, but a video release should be announced soon. Here’s a link to the film’s trailer: http://www.youtube.com/watch?v=fY0YmsVNq_Q.

There's No Gridlock For Dave Mason's “Traffic Jam” in Hamden

Legendary rocker Dave Mason brought his  “Traffic Jam” tour to Town Center Park in Hamden, CT on Friday, August 1. The show was the last in the town’s 2014 outdoor summer concert series. Luckily, the weather held out, and there was no rain in sight during the evening. Kicking off the show with “40,000 Headmen,” Mason led his stellar backing band through a solid set of Traffic classics & songs from his solo career. The first portion of the evening focused on Traffic, and included “Pearly Queen” & “Medicated Goo.” Interestingly enough, Mason performed a couple of Traffic tunes more closely associated with fellow member Steve Winwood, who sang lead vocals on the originals.  Mason altered the arrangements to “Dear Mr. Fantasy” & “Low Spark of High Heeled Boys” to suit his own bluesy style, and while the songs sounded different from the originals, the new versions sounded great.

After “Dear Mr. Fantasy” Mason remarked “it’s time for some Dave songs” and he launched into a group of solo numbers including the well-remembered 70s hit “We Just Disagree” and the often-covered “Only You Know & I Know.” He also performed a couple of tracks from his recent release Future’s Past, including “How Do I Get To Heaven” a song co-written by Jim Capaldi, another member of Traffic. Mason spoke warmly of working with him in Traffic and during his solo years. He talked about the genesis of the tune, which was left partially finished when Capaldi passed away in 2005. Mason later finished the song and recorded it. The emotional performance was one of the highlights of the concert. The excellent show finished with great renditions of “Let It Go, Let It Flow” (a personal favorite of mine) and a cover of “All Along The Watchtower.” By the way, Mason actually played on the Hendrix version of that song back in the 60s.

The crowd wasn’t quite ready to let Dave go, however, and he returned for an encore featuring another classic that he wrote “Feelin’ Alright,” which became a huge hit for Joe Cocker. The funky arrangement of the song was the perfect way to end the night with the appreciative audience grooving along as the evening drew to a close. Dave Mason’s “Traffic Jam” tour will be on the road for some more dates this summer, and if you’re a classic rock fan, this is most definitely a show you'll want to see. Here are links to Dave performing “Feeling Alright” http://www.youtube.com/watch?v=DQcCqckIM_w, “Only You Know & I Know,” http://www.youtube.com/watch?v=ecTQjNwYUss and “We Just Disagree” http://www.youtube.com/watch?v=TCpQLZs2Eh8.

I’d also like to note that Remember September, an excellent jam band based in Trumbull, CT were a great opening act at the show. Their set featured songs from their CD The Roads We Travel as well as some new material. They have a cool sound that’s a mix of rock & funk and delivered some great grooves to kick off the evening. This was the group’s second visit to the Hamden Summer Concert Series after opening for Southside Johnny & The Asbury Jukes in 2012. They are worth checking out, and you can find out more about them at: http://www.rememberseptemberband.com.

Set List for Dave Mason:

40, 000 Headmen

Pearly Queen

Medicated Goo

Rock & Roll Stew

Low Spark of High Heeled Boys

Dear Mr. Fantasy

World in Changes

We Just Disagree

How Do I Get To Heaven

Good 2 You

Only You Know & I Know

Shouldn't Have Took More Than You Gave

Let It Go, Let It Flow

All Along The Watchtower

Encore: 

Feelin' Alright

A Perfectly Fine "Contradiction"

I first became a fan of British singer Paloma Faith when her sophomore album, Fall To Grace, was released in 2012. I enjoyed her powerful vocals and emotional, almost theatrical renditions of songs like “Let Me Down Easy” and the soul infused “Black & Blue.” Now the songstress is back with a new disc, entitled A Perfect Contradiction. The record opens with the funky, groove laden “Can’t Rely On You,” co-written & produced by Pharrell Williams, and it’s followed by the disco-fied “Mouth To Mouth,” which evokes memories of the Studio 54 era. It’s clear that this time out, the lady is having a dance party, and we're all invited. The album is full of old school R&B grooves, and you’ll also hear touches of soul, pop, jazz, & Motown in songs like “Other Woman,” and the fantastic “Love Only Leaves You Lonely.”

Faith co-wrote most of the tracks on the disc, along with a cadre of superstar co-writers & producers like Williams & Raphael Saadiq. There’s no denying she set out to make an album that evokes memories of an earlier musical era, but also has a modern feel to it. This is music that will make you want to dance & sing along. And for those fans looking for the Dusty Springfield meets Amy Winehouse style of earlier numbers like “Picking Up The Pieces” and “Beauty of the End,” that sound is also well represented here on standout tracks like “Only Love Can Hurt Like This” and “Trouble With My Baby,” as well as retro soul style of “Taste My Own Tears.”

Of course, none of this would work without Ms. Faith’s passionate voice & strong personality. She delivers strong performances & really brings these songs across; she makes you listen to her. While some listeners & critics find her a bit over the top & think her voice is somewhat shrill, I enjoy her work immensely. It’s a shame she hasn’t yet made a bigger splash in the US. If you’re looking for an enjoyable album that will reward you with some cool retro sounds and a modern twist, give A Perfect Contradiction a spin. Here are links to performances of “Can’t Rely on You,” https://www.youtube.com/watch?v=EQpiTOONIik and an acoustic version of “Only Love Can Hurt Like This” https://www.youtube.com/watch?v=4oqRXI1Ck7k. The album is now available on iTunes, and other online stores..