Thrillers and horror films often provide an ample
canvas for filmmakers to paint some unique cinematic moments. Some movies play
with the established conventions of the genre, offering new spins on stories
we’ve seen before, like director Drew Goddard’s The Cabin In The Woods
(2011), which he co-wrote with Joss Whedon. Others go for the subtle, slow
building rhythms of a nightmare, like Robert Eggers’ The Witch (2015),
or the genre bending, pedal to the medal horrors of Ari Aster’s Hereditary
(2018). Director Richard Shepard’s psychological terror tale The
Perfection (2019) touches upon all of these styles, offering a wild,
twist-laden mix of thriller, horror and revenge drama that will keep you
guessing about what’s really going on until the very end.
Allison Williams |
Charlotte Wilmore, a talented cellist, leaves a
world-renowned music school to care for her ill mother. Years later, after her
mother’s passing, Charlotte re-connects with Anton, her former teacher and
mentor, who’s hosting an event in Shanghai. The concert features a performance
by his protégé, Lizzie, who had replaced Charlotte as Anton’s star pupil. Charlotte
and Lizzie hit it off, and spend the night together. The two lovers decide to
take a vacation, and that’s when things start to go very wrong. Lizzie
isn’t feeling well, and her condition worsens, making her uneasy and paranoid.
But that’s just the beginning of a fateful series of events. Be warned, there
are dark (and gory) times ahead, and Lizzie and Charlotte’s lives will never be
the same.
The cadence of the performances is definitely a key
to the success or failure of a film like this. If you hit the wrong note (pun
intended), things can quickly go off the rails. The Perfection benefits from the work of three fine actors in the central roles. Allison
Williams (who was great as the girlfriend in Get Out) offers a
stunning turn as Charlotte, and her co-star Logan Browning, who portrays
Lizzie, ably matches her with some multi-faceted work. Steven Weber gives a deceptively
laid back performance as Anton, which subtly hints at the character’s inner
depths. None of these people are what (or who) they seem on the surface. To say more about the characters or the story would ruin some of the film’s spring-loaded surprises.
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