Sunday, February 25, 2024

Retro Roddenberry: Genesis II & Planet Earth

Before the Star Trek franchise was reborn on the big screen in 1979 with the release of Star Trek: The Motion Picture, the creator of the show, Gene Roddenberry, was attempting to produce a new science-fiction adventure for television. He made several attempts to launch a new series during the 1970s, the first of which was the telefilm Genesis II. The movie, which originally aired on CBS in 1973, tells the story of Dylan Hunt, a 20th century scientist working on an experiment that will provide long term suspended animation for astronauts on deep space flights. During an earthquake at a NASA facility in Carlsbad Caverns, Hunt becomes trapped in hibernation inside an underground bunker while testing the system.

Hunt is discovered and revived by an organization called PAX in the year 2133. There’s been a nuclear war while Hunt has been asleep. He finds himself in a post-apocalyptic society where several groups are vying for control of the planet. PAX, much like the Federation in the original Star Trek, is a peaceful, multi-national organization trying to preserve the best attributes of mankind. When Hunt is misled by the traitorous Lyra-a, a mutant who has infiltrated PAX, he becomes embroiled in a conflict between PAX and Lyra-a’s people, the Tyranians, an evil collective who want him to repair their failing nuclear power systems, thus giving them an advantage in their conflict with PAX. Will Hunt help the villainous Tyranians, or return to aid PAX’s more Utopian society?

Ted Cassidy & Alex Cord in Genesis II

Genesis II is an entertaining, old school style sci-fi adventure that mixes elements of Star Trek, the original Buck Rogers, and other post-apocalyptic tales like Planet of the Apes. Alex Cord plays Dylan Hunt, and he’s decent (if a bit stodgy at times) in the role, but it’s Mariette Hartley (who had appeared in the original Star Trek episode “All Our Yesterdays”) who steals the show as the duplicitous Lyra-a. The cast also includes familiar faces Ted Cassidy, Percy Rodrigues, Lynne Marta, Titos Vandis and Nurse Chapel herself, Majel Barrett, aka Mrs. Roddenberry, in a small role. The flavorful score for the film is by Harry Sukman, and the solid direction is by John Lllewellyn Moxey, best known to genre fans for helming the eerie Horror Hotel (1960) and the classic telefilm The Night Stalker.

CBS passed on a weekly version of Genesis II, opting to go with a Planet of the Apes television series, which lasted only one season. Roddenberry took his Dylan Hunt ideas over to ABC, who produced Planet Earth in 1974. This sequel to/relaunch of the Genesis II saga features John Saxon (of Enter The Dragon) taking over the role of Dylan Hunt. After a brief recap of Dylan’s origin, we learn he’s now a PAX team leader. While on a mission, one of PAX’s council members is injured, and needs a type of surgery which can only be performed by a doctor who went missing while on a mission. When Hunt’s team goes in search of him, they learn he’s been captured by the Confederacy of Ruth, a society where women rule and men are subservient. Hunt ends up in the clutches of Marg, a leader of the female led group, and it’s a race against time to get the doctor back to PAX in time, as well as defeat the Kreegs, a militaristic band of mutants who have attacked both PAX and the Confederacy.

Janet Margolin & John Saxon in Planet Earth

Planet Earth is a lot of fun, and is lighter in tone than Genesis II. It feels very much like an episode of the original Trek series, where the crew went on a mission engaging in fist fights, philosophizing and a dollop of sexual innuendo. John Saxon definitely plays Hunt in a more macho-oriented, Captain Kirk leaning style. The PAX team even record mission log entries, just as Kirk and his crew did on the TV series. The marvelous supporting cast features Ted Cassidy, returning in his Genesis II role as PAX agent Isiah, Janet Margolin, taking over from Lynne Marta as PAX’s Harper-Smythe, and Diana Muldaur, who guest-starred in two episodes of Star Trek, and later portrayed Dr. Katharine Pulaski for one season on Star Trek: The Next Generation, as Marg. She eventually succumbs to Dylan Hunt’s Kirk-like charm. The script for Planet Earth was written by Roddenberry and Juanita Bartlett, who went on to become a writer for The Rockford Files. Behind the camera this time out was another Trek veteran, Marc Daniels, who helmed the classic episode “Mirror, Mirror.”

Like CBS, ABC didn’t move forward with a series of weekly Dylan Hunt tales, though they re-tooled the concept once more (without Roddenberry) in 1975 as Strange New World, again starring John Saxon, as Anthony Vico, an astronaut lost in time. That third attempt also didn't lead to a weekly show. Roddenberry went on to produce pilot films for The Questor Tapes, about the adventures of an advanced android, and the supernatural thriller Spectre, neither of which went on to become a series. Some of the Dylan Hunt concepts later re-surfaced in the 1990s TV series Andromeda, which premiered after Roddenberry’s death. Genesis II and Planet Earth are now available together on a double-feature Blu-ray from The Warner Archive Collection, and these retro telefilms are worth a look for Roddenberry fans and devotees of 1970s sci-fi.

Wednesday, February 14, 2024

"Take A Good Look" at Paul Collins


If you’re a power pop fan, then I’ve got just the album to brighten up your day and chase away your winter blues. Paul Collins, best known for his work with The Nerves, The Breakaways and The Beat, aka The Paul Collins Beat, is back with a marvelous new release, Stand Back and Take a Good Look, which comes out February 16 on JEM Records. This outstanding record is a power pop fans dream come true. The disc includes appearances by Shoes, 20/20, Richard X. Heyman, and the late Dwight Twilley, who appears on the fabulous "I'm The Only One for You."

Stand Back and Take a Good Look features a superb collection of songs, including "Will You Come Through?" written by Paul's former bandmate Peter Case, "Another World," and "You Can't Go Back," co-written by Collins with Steven Huff, the bassist for The Beat, and even more melodic slices of pop perfection such as "How Will I Know," "Liverpool" and "That's When I Think of You." There's also the exuberant title track, which will almost certainly get stuck in your head and earworm its way onto your list of power pop favorites.

It's clear from his marvelous work here that Collins, who took a break from the music world for a while, hasn't lost his ability to craft marvelous rock and roll tunes seasoned with a touch of New Wave and a dash of punk. The album offers a great overview of the signature sound of the man who's been dubbed the "King of Power Pop." The songs on Stand Back and Take a Good Look are sparkling, swirling, and scintillating examples of the genre at its finest. Collins sounds terrific throughout the record, providing top-notch vocals and masterful rhythm guitar. In addition to the guest stars mentioned earlier, the album also features solid work by Prairie Prince and Ronnie Barnett.

Paul Collins adds another great album to his much celebrated oeuvre with Stand Back and Take a Good Look. While it might seem a bit early to be talking about "best albums of the year," I think you'll find this phenomenal record landing on a lot of top ten lists at the end of 2024. For more on Paul and his music, you can visit https://thepaulcollinsbeat.com/. Follow this link to check out one of my favorite tracks from the disc, the extraordinary "I'm The Only One For You," https://www.youtube.com/watch?v=L89KbKNtGR4, which was recently dubbed a "Coolest Song In The World" by Little Steven's Underground Garage on Sirius XM Radio.

Thursday, February 1, 2024

Marc Platt's Powerful "Sins of the Family"

This week at Eclectic Avenue, I'd like to shine a light on the latest release from the uber-talented singer-songwriter Marc Platt. I've reviewed several of his previous discs here, including That Mid-Life Crisis, The Golden Ticket, and No AI: Plattinum Approved. Platt's new album, Sins Of The Family, just might be his best yet. It's another superlative collection of heartfelt songs that will connect with listeners on an emotional level.

The fantastic opening track, "The One That Got Away," details the aftermath of a troubled relationship. We've all had those intense connections which seemed great at the time, but in hindsight were better off left in the rearview mirror. That powerful song is followed by the more positive vibes of "When I Feel Alive"  and "Waiting For The Sun To Rise" both of which celebrate the more joyful side of love. On Sins Of The Family, Platt enhances his love of the pop/rock music of the 1960s with a subtle touch of the 1970s and 1980s on several of the album's sublime and graceful songs.

Themes of family, friendship, and the fluid nature of memory reverberate throughout this reflective, powerful record. Just listen to introspective tracks such as "What's Become of Us Now" "Young Again" and "Lovers and Traitors." You'll instantly be able to empathize with Platt's thoughtful tales of love, loss, pain and redemption. We've all dealt with the types of situations that he deftly illustrates in the title track, and "Battles Fought Battles Won." Despite the darker themes of some of the songs on the album, there's always a ray of hope on display in Platt's work, evidenced here in lovely tracks like "Settle My Mind" and "Live Every Day."

Sins Of The Family is anchored by Platt's deeply personal lyrics, emotional vocals, impressive guitar work and outstanding production. From the terrific opening track right on through to the superb closing number, "The Secret," this is a phenomenal album that will absolutely resonate with you on repeated spins. His innate talent for connecting with us through sharing personal experiences which echo our own puts him in the company of singer-songwriters like Jackson Browne, James Taylor, Cat Stevens and Jim Croce. You can check out this magnificent record by heading over to https://marcplatt.bandcamp.com/album/sins-of-the-family, and here's a link to the video for "The One That Got Away" https://www.youtube.com/watch?v=-UpuEXCzs48.