The
Beatles are one of the best-loved, most influential bands in rock and roll
history. It seems like every new generation embraces their music as family
members and friends introduce it to them. The Fab Four have influenced
countless bands, and numerous books have been written about them. Their music
has been featured in movies, television shows and on the Broadway stage. But
what if the Beatles never existed, and Beatlemania never happened? That’s the
intriguing concept of the movie Yesterday,
directed by Danny Boyle (28 Days Later,
Slumdog Millionaire) and written by
Richard Curtis (Four Weddings and a
Funeral, Love, Actually). Jack
Malik is a struggling musician and songwriter who can’t seem to get his career
off the ground. His longtime friend and manager, Ellie Appleton, encourages him
not to give up on his dreams, despite his lack of success.
Himesh Patel |
One night, while bicycling home from a gig, Jack is struck by a bus during an
odd global blackout that only lasts a few seconds. After being released from
the hospital, he’s visiting with Ellie and some other friends, who give him a guitar
to replace the one that was damaged in the accident. They encourage him to play
a song, and he performs “Yesterday.” Everyone thinks Jack wrote the song, and
praises him for it. Jack tries to tell them it’s a Beatles song, but they’ve
never heard of a group called The Beatles. After some quick internet research,
Jack realizes he’s woken up in a world where The Beatles never existed, and
he’s the only one who remembers their music.
Jack
co-opts The Beatles songs, and begins recording and performing them, claiming they’re his own
compositions. Of course, people love the music. Suddenly, he’s a huge star,
opening for acts like Ed Sheeran, and being courted by Sheeran’s agent, who
wants to take him to Los Angeles to record an album. But Jack’s newfound
success is driving a wedge between himself and Ellie, who he’s secretly been in
love with for years. Will his fame destroy any chance he had for happiness with
her? Is there a chance she’s in love with him, too? And what if someone finds
out that he really didn’t write these amazing songs? Everything comes to a head
at a huge concert event that just might change Jack’s life forever.
The
film is a light, enjoyable romantic comedy very much in the vein of
screenwriter Curtis’ other work, such as Notting
Hill, with the “world without The Beatles” story as a colorful concept to
build the love story around. The movie clearly illustrates the enduring power
of The Fab Four’s music. Most of the songs are sung and played solo in the film
by Himesh Patel (who portrays Jack), and even stripped of the group dynamic,
the music loses none of its power. One of the songs that is played in a group
setting is “Help!” which is effectively used in a sequence where Jack is
clearly at a crossroads, much as John Lennon was when he wrote it. There are
some neat Easter eggs for Beatles fans, and there’s a touching cameo at the end
of the film that has annoyed some reviewers, who feel it doesn't ring true. I think it works very well within
the framework of the story. As a lifelong Beatle fan, it brought a tear to my
eye.
Danny
Boyle’s direction is excellent, and he gets good work from the cast, with Patel
as Jack and Lily James as Ellie offering strong, affecting performances. Ed
Sheeran shows he has a good sense of humor while spoofing himself, and Kate
McKinnon is deliciously nasty as the agent who wants to exploit Jack. The
screenplay by Richard Curtis, from a story by Curtis and Jack Barth, maintains
just the right balance of lightness with a touch of drama. It’s never fully
explained just why the strange blackout happens, but I think the story is meant
to be viewed as something of a lighthearted fantasy. In fact, it reminded me a bit
of one of my favorite films by Boyle, 2004’s Millions, which is worth checking out if you haven’t seen it.
Yesterday is a delightful film with a soundtrack chock full of Beatles classics, strong direction, a clever story, and solid performances. The film never takes the music of The Beatles lightly, and uses their unforgettable songs to tell an enjoyable, lighter than air tale about love, fame and music. The film is finishing up its run in theaters, and a video release should be announced soon. Once it is released on home video, I’d suggest a double feature with Robert Zemeckis’ I Wanna Hold Your Hand (1978), about a group of friends trying to see The Beatles first appearance on The Ed Sullivan Show, to get the flip side of what Beatlemania was like. Here’s a link to the full trailer for Yesterday: https://www.youtube.com/watch?v=HY0GBmOxyYY.
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